THE THIRD BARN

THE THIRD BARN

  • THIRD BARN PROJECTS
    • T3B OFF-SITE PROJECTS
      • Plain & Fancy
      • Past Present
      • Girl Band
    • T3B ON-SITE PROJECTS
      • Living Room Project - Michael J. Schumacher
      • Summer Celebration: Osterweil, Baumflek, Climer, Rourk, Sherk,
      • Fall Event at The Third Barn,
      • Sounds in the Orchard
      • Spacebar
      • Installation 1, Performance and Open Studios
      • Blue Sounds
  • SCOTT SHERK
    • SPACES
      • Spatial Sound 04
      • Spatial Sound 03
      • Spatial Sound 08 (Ryoanji)
      • Spatial Sound 02
      • Spatial Sound 01
      • Spatial Sound 09
      • Scan and Go
      • Spatial Sound 04
      • Rome Spaces
      • Space: S.Q.R.
      • Motorcycle
    • FIELD RECORDINGS
      • ambient sound
        • Location: Gun Club
        • Location: Auction "Dirt Devil"
        • Location: Honk at 84th and Fifth Ave
        • Location: American Academy in Rome Fountains (stereo and binaural))
        • Location: Home Depot Cart
        • Location: Dan Flavin at Beacon
        • Release: Quaker Meeting House Project
        • Release: 23 Fountains of Beverly Hills
      • nature recordings
        • Location: Connecticut Beach
        • Location: sunset 05-21-20
        • Location: Avila Beach
        • Location: Rim (from Arch Street Meeting House)
        • Location: Spring Peepers
        • Location: Eastern Towhee
        • Location: Oriole Singing
        • Location: Northern Mocking Bird
    • SHAPES
      • Whitney Museum
      • New York Glyphic - CD
      • Alentejo
    • INSTALLATIONS
      • SonanceZOELLNER
      • Rt 22 Haiku
      • Cor + Som
      • Meetinghouse Harmonizer
      • 5 Steel Stele
      • Surround
      • Katonah Sound Project
      • Pigpen Project 1
      • Pigpen Project 2
      • Long Tubes
      • sound + space
    • PROJECTIONS
      • Orchard Object
      • Fence
      • Dolmen
      • Birds in Bamboo
      • Rondini
      • Jordan Walk
      • Marbles plus
      • Running
      • River at 86th Street
      • Victor's Lament
    • DISCRETE OBJECTS
    • COLLABORATIONS
    • BIO AND CV
  • PAT BADT
    • PAINTING
      • 2021 AT LARGE
      • ON PAPER
      • SLFE SERIES
      • ISLAND MAPS
      • DOUBLES TRIPLES
      • OFF THE SHELF
      • PRIME GRATITUDES
      • CD PAINTINGS
      • HABITAT MAPS
      • I REMEMBER SERIES, ongoing
      • MONTH CYCLES
        • QUARTERLIES
        • MONTHLY DIPTYCH
        • CALENDAR, CYCLE OF MONTHS (over two years)
        • MONTH BY COLOR; a day at a time, 2014-2015
      • PAINTINGS WITH TEXT
      • FRAME WORK
    • BOOK form
      • PIN STRIPES
      • NOTICE COLOR
      • ONE HUNDRED DAYS OF QUARANTINE
      • ONCE UPON TIME
      • Band Adages
      • By Its Cover
    • BOX work
    • TALKING studio
    • COLLABORATIONS
    • EXHIBITION archive
    • ABOUT
  • COLLABORATIONS
    • 22 Haiku
    • Flow
    • Edges | Transitions
    • Castle of Evoramonte
    • After Da Lodi with Sound Shadows
    • Quaker Harmonizer
    • Intersection
    • Point Line Plane
    • Clouded Drawings
    • HutView
    • Blue Sounds
    • Naturescapes
  • NEWS
  • CATALOGS
  • LINKS
  • INSTAGRAM
  • CONTACT
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Plain & Fancy
EXHIBITION STATEMENT:
This exhibition makes visible the connections between anonymous, early American traditional artisans and contemporary American artists.

“Plain & Fancy” refers to PA Dutch forms of decorative arts. The plain styles eschewed decoration and nurtured a simple aesthetic of utilitarian objects and a humble, unadorned lifestyle. The fancy lifestyles were those living outside the religious communities, having ties with the outside world, and possibly enjoying themselves. Sometimes, these lifestyles would converge with another and the Plain would become Fancy, and the Fancy would become Plain. These tensions between the insider and the outsider, the worldly and the meditative, and the decorative and the utilitarian continue.

Traditional quilts, rugs, redware pottery, fine china, chairs and kitchen implements and toys will be paired with the contemporary work of six mid-career artists: Leslie Fletcher, Jill Odegaard, Scott Sherk & Pat Badt, Rhonda Wall and Brian Wiggins. Each artist has developed their work in highly personal and unique ways in drawing, fiber, painting, collage and sound. A sense of touch, texture and an affinity to materials can be found in the work of these contemporary artists. They find themselves caught somewhere between the plain and the fancy.

THE ORGANIZER: THE THIRD BARN
The Third Barn is an experimental curatorial project and studio portal. Recent curatorial projects have included the 2 person event Closure if Natureby Seth Cluett and Confusion of Terms by Fredrick Wright Jones, Fall 2018, Recreation by Michael Schumacher (sound art) in the Orchard, 2018, PastPresent: conversations across time at the Allentown Art Museum February-May 2015 and Girl Band, an exhibition of linear abstraction at Muhlenberg College in January 2014, which re-invented itself as Band at the Painting Center in 2016.

This proposal—Plain & Fancy-- continues our Presentation Projects in creating a conversational context for viewing contemporary art. With Michael Schumacher’s Recreation the conversation was between processed sound and the sounds in the orchard in real time, with Cluett and Wright Jones the conversation became the intersection of the two pieces. With PastPresent the conversation was between Renaissance masterworks from the Kress Collection of the Allentown Art Museum and contemporary, commissioned artwork. Girl Band was a conversation between four women artists working in the reduced language of line, stripes and bands of color. Plain & Fancy proposes to establish connections between historical artisan traditions and contemporary artists.


All images copyright The Third Barn, 2021

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